Special exhibition: Max Beckmann

Max Beckmann’s list of paintings

List of paintings: Max Beckmann
Max Beckmann’s list of paintings, page 8 recto, 1937 and page 17 recto, 1946, page 1948
Bayerische Staatsgemäldesammlungen, Fotoabteilung, private collection © Max Beckmann Archiv
Special exhibition: Max Beckmann

Max Beckmann’s list of paintings

Emigré – Exilé et condamné – real mezzo Americain

Was mir New York und die noch kommenden Tage meines Lebens noch bringen werden, soll in Heft III aufgezeichnet werden. Ob es noch der Mühe lohnt? – angefangen 1904 in Berlin Hermsdorf (I. Heft) Beendet 1949 in New York (II. Heft).

[What New York and the remaining days of my life will bring me will be recorded in jotter III. Is it even worth the effort? – begun in 1904 in Berlin Hermsdorf (jotter I) ended in 1949 in New York (jotter II) (ed. trans.)]

Max Beckmann, List of paintings, 1949


Three black oilcloth jotters remain in which Max Beckmann kept his list of paintings. Jotter 1 begins with the first ambitious and large-format work Young Men by the Sea from 1905. Although Beckmann had done almost twenty oil paintings before this, he had not yet presented them to the public. Jotter 2 presented here begins in January 1934. On page 8 recto, he succinctly describes his situation since summer 1937: “Amsterdam 1937 an émigré since 17 July.” On the following page, [page 8 reverso], he adds the word “émigré” as if it were a suffix to his place of residence, Amsterdam. This jotter containing his list of paintings differs from Jotter 1 in that, in addition to a list of the completed paintings and their owners, it also contains diary entries and sketches.

When Beckmann received his first export permit for paintings destined for the USA – for the exhibition at New York’s Buchholz Gallery Curt Valentin from April to May 1946 – he commented on this in his list of paintings as follows: “1946 Novo Centissimo - 10 January 1946 received export permit for the show in New York This means that the world begins again where it left off in the late autumn of 1932 in Frankfurt a/M 14 years exilé et condamné and now free again, let’s see how things develop [below that] Novo Centissimo »1946« in Amsterdam 1 March 46: on 1 February Valentin purchased paintings for 6,000 dollars” [page 17 recto].

In St. Louis, the painter noted down his new status as a “real mezzo Americain” in autumn 1948 [page 19 verso]. The last of the three jotters only contained three pages with lists of paintings and after Beckmann died on 27 December 1950, Mathilde Q. Beckmann continued the list.

Gallery