Herta Müller: Reisende auf einem Bein (1989) [Travelling on One Leg, 1998]
Herta Müller: Reisende auf einem Bein (1989) [Travelling on One Leg, 1998]
Reisende, dachte Irene, Reisende mit erregtem Blick auf die schlafenden Städte. Auf Wünsche, die nicht mehr gültig sind. Hinter den Bewohnern her. Reisende auf einem Bein und auf dem anderen Verlorene. Reisende kommen zu spät.
[Travellers, thought Irene, travellers gazing with excitement upon sleeping cities. Upon desires that are no longer valid. Following the residents. Travellers on one of their legs and on the other, lost souls. Travellers come too late. (ed. trans)]
Herta Müller, Reisende auf einem Bein, 1989 [Travelling on One Leg, 1998]
Reisende auf einem Bein (1989) [Travelling on One Leg] is the first volume of prose to appear in the wake of Herta Müller’s migration from Romania to Berlin. The text is the author’s literary attempt to come to terms with this upheaval. The work focuses on the character of Irene, the self-professed “foreigner in a foreign country”, who has left her native Romania for political reasons to start a new life in West Berlin. The concept of “travelling on one leg”, as if one’s first leg had remained at the place of departure while the other had reached its new destination, is a guiding theme throughout.
Is one of these legs still on its travels or perhaps even completely lost? What does it mean to have to leave your homeland as a victim of political persecution? What forms of alienation exist in the new city? Irene observes proceedings as a person treading a border, in an intermediate state of being where neither the process of departure nor that of arrival is complete. Her perceptive eye serves either to scrutinize what she sees in minute detail or to assemble things anew in collage form. The text affords seemingly innocuous details great attention: the crack in a coffee cup, a clerk’s thumb in a German administrative office, the hole in a stocking or a cloud looming between East and West Berlin. As such, the author casts an alien and poetic perspective on that which is familiar and thus poses a number of questions: what constitutes identity? What does “home” mean? Is it really possible for one to “settle”?