Hans Günter Flieg: Photograph of São Paulo (1940)     

Photograph: Hans Günter Flieg
View of the city centre and Avenida Nove de Julho from the former Trianon, São Paulo, 1940
© Hans Gunter Flieg / Instituto Moreira Salles Collection

Hans Günter Flieg: Photograph of São Paulo (1940)     

Ich würde mich freuen, wenn Sie das Wort Kunst vollkommen aus dem Spiel lassen. Ich habe mir immer eingeredet, ich sei ein erträglicher Techniker, aber das Thema Kunst ist ein sehr vielschichtiges Problem [...]

[I would appreciate it if you could keep the word art out of this. I always tell myself that I’m a passable technician, but the topic of art is a highly complex problem [...] (ed. trans.)]

Hans Günter Flieg in an interview, 18 April 2013


This photo, which the then 17-year-old Chemnitz-born photographer Hans Günter Flieg took in Brazilian exile in 1940, offers a view of central São Paulo and its Avenida Nove de Julho. It came just a year after the Jewish Flieg family had emigrated from Germany to Brazil.

After further training and practical experience in advertising photography, Flieg increasingly devoted himself to documentary photography. In this image we can already recognise what Flieg’s body of work indicates as a whole: his optimistic attitude towards the industrialisation of Brazil. The long, wide Avenida, compellingly framed by Flieg, gives the viewer an idea of the opportunities for growth, the potential that the million-plus metropolis São Paulo offered as far back as the 1940s. The city experienced a major construction boom in the 1950s and drew ever greater numbers of immigrants from Europe. With his images, distinguished as they are by their technical quality and meticulous composition, Flieg provides a portrait of developments in this era.

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